NEUROSIS: North American Summer Tour With Converge And Amenra Announced



NEUROSIS declares new tour dates for 2017, announcing a new run of North American Summer performances with Converge and Amenra.

As the band continues to perform the works from their acclaimed eleventh studio album, Fires Within Fires, the upcoming tour will find NEUROSIS bringing their immersive live experience to the East Coast and Midwestern US, and Southeastern Canada. The tour will embark out of Chicago on July 28th, with shows in Detroit, Pittsburgh, Montreal, Toronto, New Haven, Brooklyn, Boston, and Philadelphia confirmed through August 7th. Iconic punk/metal experimenters Converge will supply direct support for NEUROSIS, and leading the charge will see Neurot labelmates Amenra making their long-awaited return to North American shores.

NEUROSIS
is also confirmed to headline the Days Of Darkness festival in Baltimore, Maryland on October 28th and 29th, the two-day gala also including sets by Warning, Manilla Road, Elder, Gost, Unearthly Trance, Dälek, and Bongripper, and more. Additional NEUROSIS tour dates are to be expected.

Released in September, NEUROSIS’ acclaimed Fires Within Fires is available now on CD, LP, cassette, and all digital platforms through the band’s own Neurot Recordings; see all bundles and options RIGHT HERE.



NEUROSIS Tour Dates:

7/28/2017 Thalia Hall – Chicago, IL w/ Converge, Amenra

7/29/2017 St Andrews – Detroit, MI w/ Converge, Amenra

7/30/2017 Rex Theatre – Pittsburgh, PA w/ Converge, Amenra

8/01/2017 Metropolis – Montreal, QC w/ Converge, Amenra

8/02/2017 Danforth Music Hall – Toronto, ON w/ Converge, Amenra

8/03/2017 College St. Music Hall – New Haven, CT w/ Converge, Amenra

8/04/2017 Warsaw – Brooklyn, NY w/ Converge, Amenra

8/06/2017 Royale – Boston, MA w/ Converge, Amenra

8/07/2017 Union Transfer – Philadelphia, PA w/ Converge, Amenra

10/28-29/2017 Ram’s Head Live – Baltimore Maryland @ Days Of Darkness


A trailer for the upcoming tour is posted HERE.





Surrounding the release of Fires Within Fires, Decibel Magazine published an entire issue dedicated to NEUROSIS, including multiple rare Hall Of Fame features as well as a full feature on the new album, a very brief section of the coverage praising, “NEUROSIS have redefined what heavy meant and what heavy could be, all while refusing to define themselves as anything more than conduits for the music they conjure like diviners. Now releasing their eleventh LP, Fires Within Fires, they’ve ascended from the trappings of youth to alter the landscape of heavy music like the violent shift of tectonic plates.” Rolling Stone published a massive feature on the band, including in part, “Outside of booking tours and scheduling press, the group has existed as a DIY operation for the better part of the last two decades, sort of like metal's equivalent to Fugazi or Black Flag. Everything about NEUROSIS, from their extended drum etudes to the Pink Floyd–like visuals they hauled on the road with them for years, has been about bowing to their own artistic whims… Fires Within Fires, showcases the best aspects of the NEUROSIS experience: downtuned Sabbath-influenced riffs, pounding tribal drumming, fleeting moments of elegance and caustic vocals recounting personal apocalypses.”






HARVESTMAN: HEAR THE ALBUM OPENER ‘THE FOREST IS OUR TEMPLE’ TAKEN FROM THE NEW UPCOMING FULL-LENGTH, MUSIC FOR MEGALITHS ( MAY 19, NEUROT RECORDINGS)

[Photo Credit: Niela Von Till]

Following the recent news that Neurot Recordings shall release the fourth full-length from Harvestman, – one of Neurosis vocalist/guitarist Steve Von Till’s solo ventures – titled Music For Megaliths, we today unveil the opening track from the album, ‘The Forest Is Our Temple’. Resonating like an instrumental drone scripture with ritualistic tones, textures and tempos, layers of gorgeous acoustic strings fuse and expand with ominous, distorted amplified undercurrents and a constant hurdy-gurdy hymn. In turn, ‘The Forest Is Our Temple’ sets the hue for Music For Megaliths as a transformative passage of music, evoking realms of welcomed immersive introspection.



As with prior Harvestman and other solo releases by Steve Von Till, Music For Megaliths sees the artist handling a wide array of instruments and approaches, including vocals, electric and acoustic guitars, bass, synthesizers, hurdy gurdy, effects, and more, fully performed, recorded, and mixed at his own The Crow’s Nest studio in Northern Idaho. Neurosis’ Jason Roeder also provides drums to the album’s fifth track, “Levitation.” The seven sonically and mentally expansive tracks were mastered by James Plotkin, and the album completed with artwork by Thomas Hooper.

Album to be release on May 19th, artwork, track listing, and more can be found below.




Music For Megaliths Track Listing:
1. The Forest Is Our Temple
2. Oak Drone
3. Ring Of Sentinels
4. Cromlech
5. Levitation
6. Sundown
7. White Horse


“Ruins, monuments, and ancient sites of worship are multi-sensory experiences – at once residues of the sacred, the parchment on which the passage of time has been inscribed and templates for imaginative reconstruction, spaces in which to invest and immerse, to trade your bearings for an inexhaustible state of transition.

Over the course of three albums, Steve Von Till has, under the guise of Harvestman, provided the sonic analogue, casting his net for what might have been and yet still be. Both a personal meditation and a tuning fork for the most ancient and enduring of resonances, his latest album, Music For Megaliths, further expands his journeys along the sonic ley lines that run between folk, drone, psychedelia, the “kosmische” outposts of krautrock and noise: not as an act of eclecticism, but of divination, giving voice to an underlying continuity that binds them all.

Recorded over a period of several years in the dawn hours of creation, Music For Megaliths is an aggregation of moments and recordings that have allowed themselves to spell out a greater whole. Utilizing repetition, manipulation, and modulation, it’s a hallowed frequency dial that ranges across the pulse-regulated drone of “The Forest Is Our Temple,” revving up like a generator powered by arcane currents, the blissful gaze of “Ring Of Sentinels,” “Sundown”’s ominous waves of interference and “White Horse”’s rite of dissolution and regeneration, nomadic and devout. Music For Megaliths is a crossing over, whose multiple routes are testament to a singular and sensuously dilated vision.” – words by Jonathan Selzer, 2017