Showing posts with label Audio Stream. Show all posts
Showing posts with label Audio Stream. Show all posts

HARVESTMAN: Music For Megaliths By Neurosis’ Steve Von Till Streaming At Noisey; Album To See Release Next Week Through Neurot Recordings

Photo Credit: Niela Von Till
Neurosis vocalist/guitarist Steve Von Till will release Music For Megaliths -- the anxiously-anticipated fourth album under the banner of his solo outfit, HARVESTMAN -- next week through Neurot Recordings. Advancing the album’s public release, Noisey is hosting an early listen to the exploratory album in its lush entirety.

“Neurosis singer/guitarist Steve Von Till makes music with his main band that more or less sounds like one of these boulders slowly colliding with your head, but his solo work under his own name and as the drone project HARVESTMAN provides a more placid kind of heaviness, as the new HARVESTMAN album Music For Megaliths demonstrates,” Noisey offers in part. “The album is a great example of the ever-bountiful intersection between heavy metal and experimental music, feeling like the former without ever exploding into pounding riffs and drums.”

Explore HARVESTMAN’s vast Music For Megaliths at Noisey RIGHT HERE.

As with prior HARVESTMAN and other solo releases by Steve Von Till, Music For Megaliths sees the artist handling a wide array of instruments and approaches, including vocals, electric and acoustic guitars, bass, synthesizers, hurdy gurdy, effects, and more, fully performed, recorded, and mixed at his own The Crow’s Nest in Northern Idaho. Neurosis’ Jason Roeder provides drums to the track “Levitation,” and the album’s exploratory, mood-altering, spiritual atmospheres were mastered by James Plotkin, and the album was completed with artwork by Thomas Hooper.


Neurot Recordings will release HARVESTMAN‘s Music For Megaliths on CD, LP, and digital formats next Friday, May 19th; preorders and bundles are available at the Neurot webstore HERE.

"Ruins, monuments, and ancient sites of worship are multi-sensory experiences – at once residues of the sacred, the parchment on which the passage of time has been inscribed and templates for imaginative reconstruction, spaces in which to invest and immerse, to trade your bearings for an inexhaustible state of transition.

Over the course of three albums, Steve Von Till has, under the guise of HARVESTMAN, provided the sonic analogue, casting his net for what might have been and yet still be. Both a personal meditation and a tuning fork for the most ancient and enduring of resonances, his latest album, Music For Megaliths, further expands his journeys along the sonic ley lines that run between folk, drone, psychedelia, the “kosmische” outposts of krautrock and noise: not as an act of eclecticism, but of divination, giving voice to an underlying continuity that binds them all.

Recorded over a period of several years in the dawn hours of creation, Music For Megaliths is an aggregation of moments and recordings that have allowed themselves to spell out a greater whole. Utilizing repetition, manipulation, and modulation, it’s a hallowed frequency dial that ranges across the pulse-regulated drone of “The Forest Is Our Temple,” revving up like a generator powered by arcane currents, the blissful gaze of “Ring Of Sentinels,” “Sundown”’s ominous waves of interference and “White Horse”’s rite of dissolution and regeneration, nomadic and devout. Music For Megaliths is a crossing over, whose multiple routes are testament to a singular and sensuously dilated vision." – words by Jonathan Selzer, 2017







HARVESTMAN: Solo Project By Neurosis’ Steve Von Till Streams “Levitation” As Music For Megaliths Nears May Release Via Neurot Recordings

Photo Credit: Niela Von Till

Steve Von Till’s HARVESTMAN – one of the Neurosis vocalist/guitarist’s solo ventures – will release its fourth album under the moniker through Neurot Recordings this May. As the anticipated new record grows closer to its official street date, a new single has been unveiled.

As with prior HARVESTMAN and other solo releases by Steve Von Till, Music For Megaliths sees the artist handling a wide array of instruments and approaches, including vocals, electric and acoustic guitars, bass, synthesizers, hurdy gurdy, effects, and more, fully performed, recorded, and mixed at his own The Crow’s Nest studio in Northern Idaho. The seven mentally expansive tracks were mastered by James Plotkin, and the album completed with artwork by Thomas Hooper.

Music For Megaliths’ fifth movement, “Levitation,” is the only track on the album to feature straightforward percussion, as the song features Neurosis drummer Jason Roeder on drums. The restrained but driving rhythms add a sense of perseverance to the album’s exploratory, mood-altering, spiritual atmosphere.


Explore HARVESTMAN’s “Levitation,” where previous single “‘The Forest Is Our Temple” is also streaming, at THIS LOCATION.


“Ruins, monuments, and ancient sites of worship are multi-sensory experiences – at once residues of the sacred, the parchment on which the passage of time has been inscribed and templates for imaginative reconstruction, spaces in which to invest and immerse, to trade your bearings for an inexhaustible state of transition.

Over the course of three albums, Steve Von Till has, under the guise of HARVESTMAN, provided the sonic analogue, casting his net for what might have been and yet still be. Both a personal meditation and a tuning fork for the most ancient and enduring of resonances, his latest album, Music For Megaliths, further expands his journeys along the sonic ley lines that run between folk, drone, psychedelia, the “kosmische” outposts of krautrock and noise: not as an act of eclecticism, but of divination, giving voice to an underlying continuity that binds them all.

Recorded over a period of several years in the dawn hours of creation, Music For Megaliths is an aggregation of moments and recordings that have allowed themselves to spell out a greater whole. Utilizing repetition, manipulation, and modulation, it’s a hallowed frequency dial that ranges across the pulse-regulated drone of “The Forest Is Our Temple,” revving up like a generator powered by arcane currents, the blissful gaze of “Ring Of Sentinels,” “Sundown”’s ominous waves of interference and “White Horse”’s rite of dissolution and regeneration, nomadic and devout. Music For Megaliths is a crossing over, whose multiple routes are testament to a singular and sensuously dilated vision.” – words by Jonathan Selzer, 2017





Neurot Recordings will release HARVESTMAN‘s Music For Megaliths on CD, LP, and digital formats May 19th; preorders and bundles are available at the Neurot webstore HERE.









HARVESTMAN: HEAR THE ALBUM OPENER ‘THE FOREST IS OUR TEMPLE’ TAKEN FROM THE NEW UPCOMING FULL-LENGTH, MUSIC FOR MEGALITHS ( MAY 19, NEUROT RECORDINGS)

[Photo Credit: Niela Von Till]

Following the recent news that Neurot Recordings shall release the fourth full-length from Harvestman, – one of Neurosis vocalist/guitarist Steve Von Till’s solo ventures – titled Music For Megaliths, we today unveil the opening track from the album, ‘The Forest Is Our Temple’. Resonating like an instrumental drone scripture with ritualistic tones, textures and tempos, layers of gorgeous acoustic strings fuse and expand with ominous, distorted amplified undercurrents and a constant hurdy-gurdy hymn. In turn, ‘The Forest Is Our Temple’ sets the hue for Music For Megaliths as a transformative passage of music, evoking realms of welcomed immersive introspection.



As with prior Harvestman and other solo releases by Steve Von Till, Music For Megaliths sees the artist handling a wide array of instruments and approaches, including vocals, electric and acoustic guitars, bass, synthesizers, hurdy gurdy, effects, and more, fully performed, recorded, and mixed at his own The Crow’s Nest studio in Northern Idaho. Neurosis’ Jason Roeder also provides drums to the album’s fifth track, “Levitation.” The seven sonically and mentally expansive tracks were mastered by James Plotkin, and the album completed with artwork by Thomas Hooper.

Album to be release on May 19th, artwork, track listing, and more can be found below.




Music For Megaliths Track Listing:
1. The Forest Is Our Temple
2. Oak Drone
3. Ring Of Sentinels
4. Cromlech
5. Levitation
6. Sundown
7. White Horse


“Ruins, monuments, and ancient sites of worship are multi-sensory experiences – at once residues of the sacred, the parchment on which the passage of time has been inscribed and templates for imaginative reconstruction, spaces in which to invest and immerse, to trade your bearings for an inexhaustible state of transition.

Over the course of three albums, Steve Von Till has, under the guise of Harvestman, provided the sonic analogue, casting his net for what might have been and yet still be. Both a personal meditation and a tuning fork for the most ancient and enduring of resonances, his latest album, Music For Megaliths, further expands his journeys along the sonic ley lines that run between folk, drone, psychedelia, the “kosmische” outposts of krautrock and noise: not as an act of eclecticism, but of divination, giving voice to an underlying continuity that binds them all.

Recorded over a period of several years in the dawn hours of creation, Music For Megaliths is an aggregation of moments and recordings that have allowed themselves to spell out a greater whole. Utilizing repetition, manipulation, and modulation, it’s a hallowed frequency dial that ranges across the pulse-regulated drone of “The Forest Is Our Temple,” revving up like a generator powered by arcane currents, the blissful gaze of “Ring Of Sentinels,” “Sundown”’s ominous waves of interference and “White Horse”’s rite of dissolution and regeneration, nomadic and devout. Music For Megaliths is a crossing over, whose multiple routes are testament to a singular and sensuously dilated vision.” – words by Jonathan Selzer, 2017






MIRRORS FOR PSYCHIC WARFARE Featuring Neurosis’ Scott Kelly And Buried At Sea’s Sanford Parker To Kick Off Rare US Mini-Tour Later This Week

[Photo Credit: John Sturdy]

MIRRORS FOR PSYCHIC WARFARE
will kick off a rare bout of US live dates this week. Slated to commence on December 2nd in Los Angeles, California and run through December 16th in Oakland, California, the journey will traverse twelve cities in eight states.


MIRRORS FOR PSYCHIC WARFARE is the latest collaboration between Neurosis’ Scott Kelly and Buried At Sea’s Sanford Parker. The band released their self-titled debut – a sonic manifestation of insomnia, complete with the tossing, turning, and perennial dread that comes with facing another shabby daylight – earlier this year via Neurot Recordings. The five songs that comprise Mirrors For Psychic Warfare lurch and pulsate across a sullen, desolate landscape with an almost curious obsessiveness. And while Mirrors For Psychic Warfare may remind some of the best work on the classic Cold Meat Industry label, there is enough familiar Kelly/Parker-isms scattered throughout to keep the album stimulating. It is a work with more in common with a fever or a fitful wraith than a record.

Check out the record, still streaming at Revolver Magazine at THIS LOCATION.




MIRRORS FOR PSYCHIC WARFARE:

12/02/2016 The Handbag Factory - Los Angeles, CA
12/03/2016 The Green Room – Flagstaff, AZ
12/04/2016 Sister – Albuquerque, NM
12/06/2016 Muntiny Info Café – Denver, CO
12/07/2016 Heart Of Gold Tattoo - Salt Lake City, UT
12/08/2016 Wavepop House – Boise, ID
12/09/2016 Shakedown – Bellingham, WA
12/10/2016 Funhouse – Seattle, WA
12/11/2016 Hawthorne Lounge – Portland, OR
12/13/2016 Lucky's – Eugene, OR
12/14/2016 Café Colonial – Sacramento, CA
12/16/2016 Golden Bull – Oakland, CA




Mirrors For Psychic Warfare
was realized and recorded by both Kelly and Parker at Actual 13 Studio and Hypercube respectively over the course of 2015. The record was mixed and mastered by Parker and comes available in CD and vinyl form. This is not the first occasion where Kelly and Parker have joined forces. The two work together in Corrections House, a project that also features the talents of Mike IX Williams of Eyehategod, and Bruce Lamont of Yakuza, and where Corrections House seem hell-bent on impersonal bludgeon and unrestrained panic, the pair’s latest project — MIRRORS FOR PSYCHIC WARFARE — is far more restrained.


For Mirrors For Psychic Warfare orders visit Neurot Recordings store.





“Ambient(-esque?), but tense and brooding...” – Decibel



“MIRRORS… dwells into dark ambient and power electronics, resulting in a death industrial setting, reminiscent of the Cold Meat Industry roster, in the likes of Deutsch Nepal and In Slaughter Natives.” – Cvlt Nation


“Alternating between sedate brood and agonized howl, Kelly spurts a flowing river of distorted guitar, his manly moodiness resting comfortably atop Parker's steady beats and atmospheric programming.” – Austin Chronicle

“If you are a fan of either man involved, then you’ll know that the sheer emotional weight their self-titled debut carries could crush the casual listener and suck the air out of a room… it’s like waking in a cold sweat in the middle of the night from a fevered dream that leaves you restless and unsettled, not quite sure whether that feeling was real or imagined.” – The Sleeping Shaman



NEUROSIS: Eleventh Studio Album Fires Within Fires Playing At Noisey; Album Out This Friday Via Neurot Recordings

[Photo Credit: Stefaan Temmerman]

A massive milestone in the ongoing and unstoppable legacy of NEUROSIS falls into alignment as the band unveils their eleventh studio album, Fires Within Fires, through their own Neurot Recordings this Friday. Preceding the album’s street date, the entire record - recorded by Steve Albini, and featuring cover artwork by Thomas Hooper -- is now streaming worldwide through multiple channels of Vice’s music channel, Noisey.

Noisey issues alongside the stream, "What more can be said about NEUROSIS that hasn't already been written, re-written, and re-written once again? They're giants in a field obsessed with hugeness-hugeness of riff, of amplifier, of decibel, of ambition-and are a seemingly unbreakable sonic force. When Scott Kelly, Steve Von Till, Jason Roeder, Noah Landis, and Dave Edwardson come together (and especially when they do so under the steady hand of longstanding engineer Steve Albini) the result is the kind of tectonic earth magic that the word doom was invented to personify. Whatever it is they continue to seek, this latest offering is a massive step forward towards it."
Stream NEUROSIS’ entire Fires Within Fires early at THIS LOCATION.




NEUROSIS’ Fires Within Fires will see worldwide release on CD, LP, cassette, and all digital platforms this Friday, September 23rd; see the wide array of preorder bundles and options RIGHT HERE.

Decibel Magazine released an entire issue dedicated to NEUROSIS including multiple rare Hall Of Fame features as well as a full feature on the new album, a very brief section of the coverage praising, “NEUROSIS have redefined what heavy meant and what heavy could be, all while refusing to define themselves as anything more than conduits for the music they conjure like diviners. Now releasing their eleventh LP, Fires Within Fires, they’ve ascended from the trappings of youth to alter the landscape of heavy music like the violent shift of tectonic plates.” Alternative Press forewarned in their 12 Metal Albums You’re Going To Need In The Second Half Of 2016 feature, “NEUROSIS have been endlessly creative and relevant for every stage of their now three-decade career…. Every part of their discography is essential, and this will be another welcome chapter in their story.”

The Wire gave the album an entire full-page review in their October issue which included, “Fires Within Fires is the summation of thirty years of experimentation in tonality and texture. Yes, NEUROSIS are firmly positioned within the extreme metal underground yet their music, with its ability to generate images of beauty akin to those many of us have experienced in our own lives - not to mention the loss that accompanies them - challenges this categorization. This is the band's aim; to confront the listener and through sharing their own experiences and impressions offer a template to explore the profundity and profanity of our past and future lives." Terrorizer’s album of the month review for September offers, "Fires Within Fires sees NEUROSIS evoking both the primitive elements of their early years and the polished grace of their current form. A worthy addition to their legacy, their fire burns on."

NEUROSIS continues to book additional upcoming live performances around the release of Fires Within Fires, adding several new shows to their tour schedule. Following the previously-announced London shows with Earth November 7th and Discharge and Subhumans November 8th, and two shows in Portland with labelmates Yob and Kowloon Walled City November 25th and 26th, the newest additions come in the form of two California shows in December, leading with a set in San Francisco on December 17th, also with support from Yob and Kowloon Walled City. The next night, December 18th will see NEUROSIS headlining the second night of The Power Of The Riff 2016, with six additional bands to be announced for the same evening. Two shows in Seattle and Vancouver follow, on December 19th and 20th, respectively, with support from Yob and Sumac.


NEUROSIS Tour Dates:

11/07/2016 Koko – London, UK w/ Earth [tickets]

11/08/2016 Koko – London, UK w/ Discharge, Subhumans [tickets]

11/25/2016 Hawthorne Theatre – Portland, OR w/ Yob, Kowloon Walled City [all ages] [tickets]

11/26/2016 Hawthorne Theatre – Portland, OR w/ Yob, Kowloon Walled City [21+] [tickets]

12/17/2016 Regency Grand Ballroom – San Francisco, CA w/ Yob, Kowloon Walled City [tickets]

12/18/2016 Regent Theater – Los Angeles, CA @ The Power Of The Riff [tickets]

12/19/2016 Neumos – Seattle, WA w/ Yob, Sumac [21+] [tickets]

12/20/2016 Venue – Vancouver, BC w/ Yob, Sumac [19+] [tickets]


On September 23rd, NEUROSIS take a dominant leap with their eleventh full-length, Fires Within Fires. Three decades in the making, and following 2012's Honor Found In Decay, the album is a testament both to the history and future of NEUROSIS.

In true Ouroborean style, Fires Within Fires gives due to its predecessors while progressing forward into the unfamiliar and formidable. Striking NEUROSIS's signature balance between light and dark, beauty and repulsion, dense sonic heaviness and reflective space. Fires Within Fires is succinct, raw and deeply soulful, an all-encompassing reminder to all that transfiguration in sound remains their most commanding and inimitable strength. Our first and only glimpse of the music on this record, prior to release date, is sampled in a new video which has emerged, here you can also marvel at the exquisite album artwork from the renowned Thomas Hooper.

The journey of their music has found the band relishing the unpredictable, embracing the unknown and exploring the possibility of where the music was capable of taking them. Going beyond the remarkable, NEUROSIS has become unforgettable. Fires Within Fires is the next powerful step towards a destination that has long been and continues to be the very heart of "becoming" for NEUROSIS.










MIRRORS FOR PSYCHIC WARFARE: Collaboration Between Neurosis’ Scott Kelly And Buried At Sea’s Sanford Parker Streaming In Its Entirety At Revolver; Record Out This Friday Via Neurot

Photo Credit: John Sturdy

MIRRORS FOR PSYCHIC WARFARE is the latest collaboration between Neurosis’ Scott Kelly and Buried At Sea’s Sanford Parker. The band’s unsettling, soon-to-be-issued self-titled debut is the sonic manifestation of insomnia, complete with the tossing, turning, and perennial dread that comes with facing another shabby daylight.

The five songs that comprise Mirrors For Psychic Warfare lurch and pulsate across a sullen, desolate landscape with an almost curious obsessiveness. And while Mirrors For Psychic Warfare may remind some of the best work on the classic Cold Meat Industry label, there is enough familiar Kelly/Parker-isms scattered throughout to keep the album stimulating. It is a work with more in common with a fever or a fitful wraith than a record.


In advance of its release tomorrow, April 22nd, 2016 via Neurot Recordings, Revolver Magazine offers up the record in all its disquieting glory at THIS LOCATION.




For Mirrors For Psychic Warfare CD, LP & Digital preorders point your browser to THIS LOCATION.

Mirrors For Psychic Warfare was realized and recorded by both Kelly and Parker at Actual 13 Studio and Hypercube respectively over the course of 2015. The record was mixed and mastered by Parker and will come available in CD and vinyl form. This is not the first occasion where Kelly and Parker have joined forces. The two work together in Corrections House, a project that also features the talents of Mike IX Williams of Eyehategod, and Bruce Lamont of Yakuza, and where Corrections House seem hell-bent on impersonal bludgeon and unrestrained panic, the pair’s latest project —MIRRORS FOR PSYCHIC WARFARE — is far more restrained.

“Ambient(-esque?), but tense and brooding..” – Decibel





STEVE VON TILL: Entire A Life Unto Itself Solo Album By Neurosis Guitarist/Vocalist Playing At Noisey As LP Nears Release Next Week

photo credit: Niela Von Till

A Life Unto Itself
, the most immense, celestial solo journey from Neurosis guitarist/vocalist and Neurot Recordings founder, STEVE VON TILL, is now playing in its entirety worldwide courtesy of Noisey, as the LP comes within a week of its release from confinement into the public domain.

The majority of A Life Unto Itself was captured at Avast! Recording Co. in Seattle under the direction of producer Randall Dunn (Earth, Sunn O))), Wolves In The Throne Room, Marissa Nadler and Rose Windows), with additional recordings handled at STEVE VON TILL’s own The Crow’s Nest, and the final product was mastered by Jason Ward at Chicago Mastering Service. With guest viola contributions from Eyvind Kang, pedal steel from J. Kardong, and percussion courtesy of Pat Schowe, the album is enshrouded in artwork bearing the recognizable style of Aaron Turner (Sumac, Isis, Old Man Gloom, Hydra Head). All of these factors culminate into a twelve-passage voyage with over forty-five minutes of harrowing textures which drill their way immediately to the core of your bones, gnaw your heart’s defense mechanisms to their foundations, and invoke a wellspring of emotions.

Vice Magazine’s online music channel, Noisey, has made A Life Unto Itself available for streaming in its entirety just a week before its release, coordinated through several of its global entities, including an interview with STEVE VON TILL spearheaded by Noisey Brazil.



Delve into the expanses of STEVE VON TILL’s A Life Unto Itself and its inception through the words of its creator through Noisey Brazil right HERE, US HERE and Germany HERE.




A Life Unto Itself
LP through Neurosis’ own Neurot Recordings in North America on May 12th. Preorder packages for the digital download, CD, the 12” on both black and red vinyl, including t-shirt bundles are all available HERE.




STEVE VON TILL has also announced his first live solo performance in several years in support of A Life Unto Itself. At press time, the lone confirmed gig is set to take place on Monday, June 29th at the historic St. Pancras Old Church in Somers Town, central London. More SVT live actions are to be announced in the near future.


STEVE VON TILL Live:

6/29/2015 St. Pancras Old Church - London, UK w/ Markers [info]  [tickets]



A Life Unto Itself ventures into compelling uncharted territory for its maker. STEVE VON TILL's weathered, distinctive voice and sparse acoustic guitar provides a foundation, but a much wider variety of sonic textures are presented here. Bold and ambitious arrangements weave vintage synth, sublime strings, percussion, and electric guitars throughout these unique and expansive songs, as VON TILL's raspy whisper dives deeply inward, and speaks genuinely of visions, memories, and self-reflection in a way that feels both seasoned and exposed.

A Life Unto Itself will be available May 12th ​in the ​US (11th May UK/EU and 8th May in Germany).
Preorder now at store.neurotrecordings.com